CHARLES ATWOOD. Sculpture

Sculpture, in the late nineteenth and early twentieth century, was not simply ornament. It was not just "lobby" sculpture, or "plaza" sculpture.   A sculpture's location, size, subject matter and purpose were integral to the building as a whole. 

Charles Atwoods' Fine Arts Building at the Columbian Exposition would not be complete without Phillip Martiny's sculpture.  Both are better for the other.

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CHARLES ATWOOD. Sculptural Collaboration

Late 19th and early 20th Century Architects collaborated with Sculptors to produce a "Building."  Sullivan worked with Bock and Schneider.  Wright with Ianelli.  Peirce Anderson with Henry Hering.  And Charles Atwood worked with Phillip Martiny and his young assistant, Henry Hering at the Fine Arts Building at the Columbian Exposition.  The work below (now at the Museum of Science and Industry) is a  replacement of the original -- albeit a good one.  Hering was given the replacement commission (in his own right)  in the late "teens.

Although ornament and sculptures' place in construction has gone through a radical transformation, it is still a collaboration of Architect and Sculptor that can produce memorable art. 

William Hartmann and Pablo Picasso come to mind... (along the first Mayor Daley).

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CHARLES ATWOOD. Architectural Ornament

MARSHALL FIELD and Company

Charles Atwood was "in the thick" of designing  some 30 structures at the Columbian Exposition when he was given the Marshall Field Commission.  He did not give it short shrift.

Tucked below the cornice at Wabash and Washington, this piece of figural sculpture watches over the building.  The  quality is best seen with binoculars -- and by the lucky few with offices directly across the street......ten floors up.

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MOSES EZEKIEL. Christopher Columbus

The years preceeding and immediately following the Columbian Exposition were very good for Sculpture in Chicago.  Better,  than we might guess today today.  Much fine work was destroyed.  Lucky pieces  were salvaged, saved and dispersed throughout the City.

Below is Moses Ezekial's 1894 "Columbus" that onced topped  W. W. Boyington's Columbus Memorial at the corner of State and Washington.  He has been carefully restored and re-placed (appropriately) in Little Italy -- near Polk and Loomis.

Moses Ezekial and Johannes Gehlert were once among the most prominent sculptors in Chicago.  Their work still exists.  Just not where one would expect.

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